“All Good Things (Come to an End)” is a pop song written by Nelly Furtado, Timbaland, Danja and Chris Martin for Furtado’s third album Loose (2006). It was co-produced by Timbaland and Danja and released as the album’s third European single in November 2006 (see 2006 in music). It was released as the fourth single in the U.S.

“Stuntin’ Like My Daddy” is the first single off Birdman and Lil Wayne’s album, Like Father, Like Son. In the song, Lil’ Wayne raps about how fly he is that people would have almost mistaken him as his father. The music video has cameos from Yo Gotti and Allstar Cashville Prince.

Diss Song:

Gillie Da Kid made a diss song called “Frontin Like Ya Daddy.” The song makes references to Birdman and Lil Wayne kissing, to Lil Wayne’s relationship with Nivea and Trina, and to how Lil’ Wayne is not the “Gangsta” he appears to be. The line “What We Doin Stackin’ Figgaz, What They Doin? Kissing Niggaz,” refers to the infamous kiss between Lil Wayne and Birdman.

“Pop, Lock & Drop It” (produced by The Bakery Productions) is the first single by Huey from his debut album titled Notebook Paper. The song was released on September 19, 2006. The song features a new dance called the G5 that can be seen in the music video for the song. An artist also seen in the video is hit rapper, Jibbs.

In early March 2007, “Pop, Lock, and Drop It” debuted on the Billboard Hot 100 at number 98. The single has now peaked at number 6.

“Rock This Party (Everybody Dance Now)” is a song by Bob Sinclar, co-produced by regular partner Cutee B and featuring Dollarman and Big Ali on vocals. The song samples the massive 1990s hit “Gonna Make You Sweat (Everybody Dance Now)”, by C+C Music Factory featuring Freedom Williams and was released as the third major single off the Western Dream album, on August 22, 2006.

“Mas que nada” (No way or Come on) is a song originally written and performed by Jorge Ben in 1963, which later became the signature song of Brazilian musician and performer Sergio Mendes. In the United States, it is one of a few Brazilian songs that are widely known.

It is worth noting that in the United States, the song is popularly credited to Sergio Mendes with Jorge Ben Jor relatively unknown, whereas in Brazil, the reverse is true.